Part 2

A close reading of The Road by Cormac McCarthy

‘He’, the man and ‘the boy’ are nameless. Why? Does their anonymity change the way we feel about the characters? Can we still care about them without names? Do they still have an identity without a name?

I think that their anonymity allows readers to make their own opinions on them, their situation and the events that will occur. It means that they are more mysterious, an in a way, have a vulnerability about them because we don’t know their story. I definitely think we can still care about them and throughout the book, we can get to know them and understand their identity better, regardless of their names.

How can we tell they’re in danger? Are they fleeing danger or do they expect to encounter it along the way? What sort of danger? Human? Animal? Elemental?

In the extract, the line ‘In the knapsacks were essentials things in case they had to abandon the cart and make a run for it’ certainly suggests that they are fleeing from something since they’ve packed up their essentials. Also, knowing that they may have to make a run for it insinuates that they expect to encounter more danger along the way. It’s not clear what exactly this danger will be but clearly, they are using survival instincts and have a mirror to ‘watch the road behind them’ in case of danger.

The chrome motorcycle mirror tells us the time is roughly contemporary. So what’s happened to the rest of the recognisable contemporary world? Or is the story set in the future? Post-apocalypse maybe?

Since McCarthy described it as a ‘wasted country’ we can assume that there has been widespread destruction of some kind. As the readers, we know that the road is empty and danger is likely so something has certainly happened to the contemporary world. It is also possible that the story is set in the future, post-apocalypse as the conditions and element of danger would fit this.

They are alone: ‘The road was empty’. Where is everyone? Why are they scared if no one is around? Because no one is around? Because someone might be around?

Assuming there was a big disaster, there probably was some population loss and it’s likely that there is a lack of resources. The fact that they are travelling with their essentials puts them at risk of violence from others because people often return to their survival instincts when faced with danger. Also as the road is currently empty there is a fear of the unknown and since may be caught off guard.

There’s been some sort of disaster: ‘wasted country…dead reeds…shuffling through the ash…’ What sort of disaster might it be?

Clearly, it was not just a localised event and something much more extreme, affecting the whole country, this could have been a natural disaster like a supervolcano eruption (hence the ash and dead reeds) or again, the idea of an apocalypse seems possible. Other options of the cause could be a war of some kind or perhaps an invasion, maybe from beyond the contemporary world?

They’re on a journey with everything they own. Where are they going? Where have they come from?

I would assume that they have come from somewhere they were once familiar with but have been forced to flee it due to the disaster and danger they face. As a result, it seems logical that they are on a journey to find safety, it’s unclear if they have a specific destination in mind or if the journey is simply to get as far away as possible.

The road is mentioned three times in these few lines. It is also the title of the book? What does it symbolise?

Obviously, the road symbolises their physical journey but it can also refer to the mental journey that the man and the boy will go through, they are faced with danger, hardship and the unknown so it’s likely that their physical and mental strength will be tested. It may also symbolise the journey of the readers as we learn more about the characters and events as the book progresses.

Can you spot any poetic devices in this short passage? What effect do they have?

This extract is littered with examples of imagery and it gives us a small introduction to the setting, for example, ‘the chrome motorcycle mirror’ and ‘the wasted country’ and small bits of information that allow the readers to visualise a desolate land and two characters embarking on a journey. We can also see examples of metaphors – ‘the grey serpentine of a river’ and ‘the gunmetal light’, both of which add to the sense of emptiness, mystery and danger.

What other stylistic language choices does McCarthy make and why? What might he not punctuate speech?

McCarthy may not punctuate speech because he made the choice to use an omniscient narrator which gives the impression that we are watching and overhearing the action, rather than being directly part of it. He also uses short sentences which gives us just enough information whilst keeping us guessing.

What features give a sense of where we are? How does McCarthy create a post-apocalyptic world? Would the impact be the same if he were to remove the man and the boy? Look carefully at the imagery, for example, the grey ‘serpentine of the river’ and ‘the gunmetal light’. What is it about the choice of metaphor that creates a sense of danger? What does serpentine symbolise? Think biblical perhaps. What effect will biblical and religious imagery, themes and symbols have in this genre of writing? 

We can get an idea about being in a bleak and desolate area by the use of imagery – ‘the wasted country’, the ’empty’ road, ‘shuffling through the ash’ and ‘the still grey serpentine of a river’. I think that if the man and the boy were removed then the sense of danger doesn’t seem as significant since we don’t know anyone is affected or at risk. A sense of danger is definitely created by his choice of metaphor with the ‘serpentine of the river’ and ‘the gunmetal light’ – for starters, the mention of a gun automatically makes you think of violence and danger. Also, the word ‘serpentine’ symbolises a snake figure which again is a creature that can be very dangerous. In regards to the bible, a snake can certainly symbolise evil but is also used as a symbol for life and healing so perhaps the river may be something pointing the man and the boy towards a better place, or simply a place of more danger. Including features that have religious and biblical connotations can affect the way in which readers react because people may have different beliefs, this can change the way in which McCarthy intended for people to understand the story.

What’s the prose style like? Are the sentences long or short? Are they rhythmic or choppy or stark? What impact does this have? Is the language complex or simple? Often the more dramatic or dark a piece is, the more simple and stripped back the prose. Why might this be? What would be the effect of a more flowing, colourful and detailed prose?

The sentences are longer at the beginning of the extract but still feel quite staccato and as if McCarthy is introducing fear through a quick pace. This is shown further by the short and choppy sentences, for instance ‘The road was empty…Motionless and precise.’ I personally think that this adds to the tension and insinuates the idea of danger and urgency, it also makes it feel more dramatic and like time can’t be wasted. The language is fairly simple but McCarthy is still able to use imagery to help the reads visualise the world. The style of prose he uses fits with the genre and mood of the story, if it was too colourful and detailed then I think the readers wouldn’t feel as on edge about the boy and the man.

How does it all make you feel?

I’m certainly confused and uncertain about all the events leading up to the current state of the world McCarthy is depicting but I think the element of mystery means that I’m also more intrigued to find out more.

 

Notes · Part 2

Narration in The Road by Cormac McCarthy

As written in the course materials, The Road is a harrowing and yet beautiful and gripping read. Therefore we have to think about why people choose to read texts that may leave them feeling wrung out and upset? I think there are a number of reasons as to why this may be, for instance, to escape from their own world. Often if people are going through a tough time it can help to read something that helps them feel like they aren’t alone in their suffering. Also, it is a way to learn more about various topics and the world. I also think that people like to experience a range of emotions and a book is often a good way to do this.

Below is the extract from The Road by Cormac McCarthy.

“He pushed the cart and both he and the boy carried knapsacks. In the knapsacks were essential things in case they had to abandon the cart and make a run for it. Clamped to the handle of the cart was a chrome motorcycle mirror that he used to watch the road behind them. He shifted the pack higher on his shoulders and looked out over the wasted country. The road was empty. Below in the little valley the still grey serpentine of a river. Motionless and precise. Along the shore a burden of dead reeds. Are you okay? He said. The boy nodded. They set out along the blacktop in the gunmetal light, shuffling through the ash, each with the other’s world entire.”

McCarthy actually chose to use an omniscient narrator (all-seeing) for this novel, here is how it would differ if he decided to write it with a first or second person narrator:

First person – “I pushed the cart and myself and the boy carried knapsacks. In the knapsacks were essential things in case we had to abandon the cart and make a run for it. Clamped to the handle of the cart was a chrome motorcycle mirror that I used to watch the road behind us.”

Second person – “You pushed the cart and both you and the boy carried knapsacks. In the knapsacks were essential things in case you had to abandon the cart and make a run for it. Clamped to the handle of the cart was a chrome motorcycle mirror that you used to watch the road behind you.”

If McCarthy had chosen to write it in the third person, either from the point of view of the man or the boy I think we may be able to understand the emotions of them better. For instance, we could see the personal response from a child who faces fear and danger. With this, we may become more attached to a particular character and perhaps this is something that McCarthy didn’t want. This may be because we may miss things and will not have an overall view of all the events occurring if it is focused on one person’s perspective.

Changing the narrative angle can definitely have an impact on a story and I think he chose to use an omniscient narrator so the readers can understand the characters, setting and events equally. Also, this allows there to be different angles and since the narrator is ‘all-seeing’, the readers won’t miss anything. In addition to this, we get an unbiased account of the story and don’t get attached to anyone in specific, allowing us to think about the wider world that McCarthy presents.

 

 

 

Notes · Part 2

Shimabaku’s Cucumber Journey

I read Cucumber Journey, Shimabaku (2000) which is found in Room Seven: Itinerancy of Place, Tacita Dean and Jeremy Millar (2005) and considered the themes of time, place and journey.

  • Time

Shimbaku gives us a timeframe by letting us know that he plans to take the typical 2-hour train journey from London to Birmingham and turn it into a 2-week boat trip. However, the theme of time is also portrayed physically by the process of the pickles which allows him to contemplate how time passes.

  • Place

Again, he tells us that the story takes place in between London and Birmingham but I think a sense of place is created more by the familiarity he gains upon eating the food and getting to know people during his travels. It also highlights distance and the time it takes to get to various destinations, which made me think about how time and place are inextricably linked.

  • Journey

Whilst there is an obvious physical journey that he takes from London to Birmingham he also goes on a personal journey of knowledge and learning from local people. In addition to this, there is the journey of the pickles themselves – from purchase and then to the mouths of his friends in Birmingham. He highlights how they will begin a ‘new journey in people’s bodies.’ This symbolises the many journeys that we, and various things we encounter, make in our life.

Part 2 · Uncategorized

Fern Hill by Dylan Thomas

It has been a while since I’ve done any close reading for poems and Fern Hill by Dylan Thomas wasn’t one I’d come across before. I read it thoroughly a few times to myself and then listened to both Dylan Thomas himself and actor, Richard Burton reading it on YouTube. Poetry is usually designed to be read aloud so I found listening to these very useful, it allows you to understand it more through the tone and pace of the reader.

I also printed the poem out and annotated it, focusing on the themes of time and place, as well as the poetic devices used. Breaking it down and looking at each of the 6 stanzas separately and then as a whole definitely allowed me to think deeper about what Thomas was trying to put across.

Upon reading and annotating, there are a series of questions to answer:

  • What’s the mood of the poem? How does it make you feel? 

I think it’s quite wistful because there is a clear sense of longing for the past, his childhood in particular. His descriptive language ‘golden in the heydays’, ‘rivers of the windfall light’ add warmth to the poem and it definitely gives the impression that he enjoyed his childhood. This is backed up of course by the mention of being ‘happy’ and ‘carefree’. The last stanza definitely has a different mood, one of melancholy and it’s evident that Thomas switches back to the present day of his adulthood which he is clearly not as fond of as his childhood.

The poem makes me feel nostalgic and made me think about my childhood. I would certainly say that my childhood is something I look back on with fondness but I’m also optimistic about the future. Since I’m only 20 it does make me wonder if I’d have the same sense of longing for it as I get older.

  • What poetic devices does Thomas use and what effect do they have on the poem?

Rhyme – the poem uses internal rhyme which means the two rhyming words occur within a line, rather than at the end of separate lines. For instance, the line ‘time let me play and be’. Thomas also uses half-rhyme (when words have the same sound but may differ in vowels or consonants), for instance, ‘trees’, ‘leaves’ and ‘streams’. This helps quicken the pace in parts of the poem which gives off the idea that it is Thomas remembering his past.

Rhythm – There is a more subtle rhythm to the poem and like I mentioned above, it conveys his train of thought and takes the readers on a journey. The 6 stanzas of 9 lines do keep the rhythm steady but the use of enjambment (when the sentence does not end at the end of the line but carries on to the next), allows the poem to be continuous and conveys a journey through his past.

Repetition – The theme of time establishes importance through repetition and it’s evident that Thomas focuses on the control it has. The word ‘happy’, as well as the colours ‘green and golden’ are also repeated and this helps to show the sense of joy he felt during his childhood.

Alliteration – This device is perhaps less obvious but is shown in the line ‘And green and golden I was huntsmen and herdsmen’. I believe the alliteration of the ‘g’ and ‘h’ creates a sing-song rhythm, adding to a more positive mood when he describes his childhood.

Assonance – Again, I wouldn’t say this device is as significant as others but an example is the ‘e’ sound in the lines ‘Oh as I was young and easy in the mercy of his means, Time held me green and dying’. For me, I think this helps him emphasise his feelings of disappointment at the fact he has grown up and his childhood is no more.

Personification – Thomas personifies time, not by giving it physical traits as such but by giving making it a parent/guardian figure and something that has control over his life. Some examples of this are ‘Time let me hail and climb’, ‘Time let me play and be’ and ‘Time held me green and dying’.

Simile – There are a few examples of similes throughout the poem. The first occurs in the first stanza and Thomas describes himself as being ‘happy as the grass was green’. As grass is usually pretty green we can assume this means he certainly had a happy childhood. The line ‘And then to awake, and the farm, like a wanderer white’ is another example of this device. The colour white often symbolises purity and innocence (especially in religion), a characteristic of being a child and perhaps something that Thomas misses. In the final stanza, Thomas uses a simile in a more negative way – ‘Though I sang in my chains like the sea’. To me, chains symbolise being constrained or controlled in some way, perhaps by adulthood and society.

Metaphor – One example of a metaphor is the line ‘My wishes raced through the house high hay’. Obviously, his wishes aren’t literally running but I think this suggests how he felt free and hopeful for his wishes to come true as a child. The line ‘Time held me green and dying’ demonstrates both the personification and metaphor device. Time can’t physically hold someone and we know that because he is telling the poem from his present, he wasn’t actually dying. Instead, this is a metaphor for the end of his childhood.

Imagery – Through the use of colour (green and golden), mention of animals (foxes, owls, horses, pheasants) and his descriptive language when describing the location of Fern Hill create an image for those reading. For instance, the lines ‘the spellbound horses walking warm out of the whinnying green stable on to the fields of praise’ create a sense of place and clearly Thomas enjoys being in nature. This also has religious connotations since the fields of praise resemble how The Garden of Eden is portrayed.

  • How do the poetic devices help evoke the themes of time and place? Can you identify any other theme running through this poem? What is the poem saying about time and place (and any other theme you’ve identified?

As mentioned above, personification is used to give the theme of time importance. By doing this it emphasises the significance it has Thomas’ life, it’s clear that he enjoys reminiscing on the past and his childhood, in particular, a more ‘happy’ and ‘carefree’ time. The line ‘Oh I was young and easy in the mercy of his means’ potentially suggests how time had mercy on him and tried to protect him as a child, however, he knows that can’t last forever but ultimately time can’t be stopped.

Place is also very central to the entire poem and in a way, I think it provokes you to think about a ‘happy place’ because most people have somewhere they look back on with especially fond memories. For Thomas, this is Fern Hill and his descriptive language choices help to convey a sense of place for the readers. This is helped by the strong use of imagery to paint the scene of the countryside and the repetition of ‘green’ and ‘golden’. Using these devices helps the readers to visualise the location and in turn, become more familiar with it as a place.

Age and childhood is certainly a focus in this poem but I think this is better summed up as the theme of innocence and experience. It’s fair to say that in general, childhood is easier due to the innocence of the youth, they haven’t been influenced or corrupted by society and adulthood. With experience often comes the realisation that not everything is as happy and carefree as we may think as innocent children. Thomas highlights the theme of innocence throughout but the use of simile in the line ‘And then to awake, and the farm, like a wanderer white’ has strong religious connotations since the colour white often symbolises innocence and purity. The theme of innocence and experience is also explored in other poetry, particularly William Blake who has a collection titled ‘Songs of Innocence and Experience’. I know that in these poems he too suggests that the innocent (often children) live an arguably happier life and his poems in the experience section very much condemn society and focus on corruption in various forms. The line ‘Though I sang in my chains like the sea’ in Fern Hill is another example of a simile that Thomas uses and I think this reflects the similar message to that of Blake’s experiences poems. The imagery created by the chains automatically make you think of being constrained and trapped in a violent manner. Thomas may be insinuating that in adulthood we are constrained, trapped and essentially controlled by society. Therefore I believe there is also an element of political commentary within this poem.

  • What lines or images stay with you? What do they remind you of or how to they make you feel?

‘Time let play and be’ – makes me think about how time allows children to be carefree and fun but as it passes, gradually we don’t have this much freedom.

‘My wishes raced through the house’ – for me, this gives a sense of hope and captures the imagination of children.

‘childless land’ – this creates quite a melancholy image of emptiness, like the joy that the children bring has been banished.

‘in my chains’ – this phrase definitely creates an image that stays with me and is essentially a juxtaposition to the more positive and carefree image he creates in the rest of the poem.

  • What’s the rhythm like? Is it choppy or is it flowing and smooth? How does the rhythm impact on the poem?

Although the structure of the poem is fairly consistent since there is 6 equal stanzas of 9 lines there isn’t a strong rhythm as such. It’s definitely more of a flowing rhythm which fits the idea that Thomas is revisiting his past and taking the readers on a journey.

  • Is the ‘speaker’ important? What are his views? Are they apparent or inferred?

Yes, the speaker is definitely important since it’s the poet himself sharing his experience. He doesn’t outright say that childhood is better and happier but he definitely presents this part of his life as being much more joyful and that this diminishes in adulthood.

  • Are there any lines you don’t get? Can you hazard a guess as to what they mean or allude to?

I think it’s hard to say that you definitely do or do not understand many lines in poetry since it very much depends on each individuals perspective.

The line ‘up to the swallow thronged loft by the shadow of my hand’ isn’t necessarily obvious in what he is trying to say but it’s possible that he is referring to the afterlife since swallows are a common symbol of this. Furthermore, he goes on to say ‘fly high’ and then literally mentions ‘dying’ so overall I think he is putting across the fact that his childhood is no more, or ‘dead’ in other words.

 

 

 

Part 2

Poetic Devices in Novels

As I previously mentioned, poetic devices are used in many examples of creative writing, especially novels. I looked at Harry Potter and the Philosopher’s Stone by J.K. Rowling because I know that being creative and allowing the readers to visualise her world is an important part of the magic within the books. Therefore I expected there to be various examples of these poetic devices in her work. Here are some examples that I found:

Rhyme

sunshine daisies butter mellow, turn this stupid fat rat yellow

– page 79

Alliteration 

the bloody barons becoming almost unbearable

– page 93 

Personification 

the hat began to sing

shouted the hat

– page 88-89

Onomatopoeia

boom

smash

– page 39 

Simile

questions exploded in Harry’s head like fireworks

– page 43

Consonance 

standing quite still, all six eyes staring

– page 119

Metaphor 

perched atop a high mountain on the other side, it’s windows sparkling in the starry sky, was a vast castle

– page 83

Imagery

twelve towering Christmas trees stood around the room, some sparkling with tiny icicles, some glittering with hundreds of candles

– page 145

 

 

Part 2

Poetic Devices

There are many poetic devices (modes of expression) which writers use to add creativity and depth to their language. However, they are not only found in poems – various aspects of creative writing use the devices, such as novels, news articles and advertisement.

Here are some examples that I found in various poems:

Rhyme 

Fitted in a cardboard box,
In the cupboard, with your frocks-
Anywhere! They don’t care!
Cats sleep anywhere.

– Cats Sleep Anywhere by Eleanor Farjeon

Rhythm

This is the night mail crossing the Border,
Bringing the cheque and the postal order,

Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.

-Night Mail by WH Auden

Repetition

And miles to go before I sleep,
And miles to go before I sleep.

– Stopping by Woods on a Snowy Evening by Robert Frost

Alliteration

So Satan spake, and him Beelzebub

Behemoth biggest born of earth upheaved

– Paradise Lost by John Milton

Assonance

And the silken, sad, uncertain rustling of each purple curtain

– The Raven by Edgar Allen Poe

Consonance

Men marched asleep. Many had lost their boots,

– Dulce et Decorum Est by Wilfred Owen

Onomatopoeia

From the jingling and the tinkling of the bells.

By the twanging,
And the clanging,

– The Bells by Edgar Allen Poe

Personification

“Ah, William, we’re weary of weather,”
said the sunflowers, shining with dew.

– Two Sunflowers Move into the Yellow Room by William Blake

Simile 

O my Luve is like a red, red rose
   That’s newly sprung in June;
O my Luve is like the melody
   That’s sweetly played in tune.
– A Red, Red Rose by Robert Burns

Metaphor

Suddenly as the riot squad moved in, it was raining exclamation marks,

– Belfast Confetti by Ciaran Carson

Imagery

A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
– I Wandered Lonely as a Cloud by William Wordsworth
Part 2

Place in Poems

I was given some poetry extracts and asked to consider how the theme of place is shown. More specifically which one:

  • Speaks about place in relation to identity and exile
  • Purely evokes a sense of place
  • Makes a social comment about progress and place

 

The first of the extracts is The Herefordshire Landscape by Elizabeth Barrett Browning. For me, I’d say this poem purely evokes a sense of place because it’s a very descriptive piece. The poet’s use of imagery allows the reader to really visualise the landscape and creates a sense of place for them.

I’d say that Slough by John Betjeman makes a social comment about progress and place, particularly conveying the negativity that industrialisation and urbanisation has had on Slough. The poem suggests that Slough is no longer a place fit for humans due to its poor conditions. I also think that the poem speaks about place in relation to identity (being Slough) and exile due to the language that has violent connotations.

Lastly, I think The Last Land by Eavan Boland speaks about place in relation to identity and exile. For example, it focuses on the identity of Dublin Bay and is suggestive of people being forced to leave the place they were familiar with. In addition to this, it also makes a social comment about progress in place since it looks back on the past but there has hopefully been progress in the way that people are treated.

Part 2

Character Archetypes

In the course material, it states that a character archetype is a storytelling device, a recognisable character type that serves a function in a story. It lists some of the most common, using Harry Potter characters as examples.

  • Protagonist – Harry Potter
  •  Antagonist – Voldemort
  • Mentor – Hagrid
  • Sidekick – Ron and Hermione
  • Shapeshifter – Snape

 

There are many various character archetypes, here are some additional ones that I think are common in many stories:

  • Hero – Often connected to a quest/journey and has to overcome various obstacles. Doesn’t have to be the main character. Superheroes, Jim Hopper (Stranger Things), Flynn Ryder (Tangled)
  • Lover –  Often the main character’s love interest and will sometimes go to extremes for love. Romeo and Juliet, Jack and Rose (Titanic)
  • Narrator – Story is told from the person’s perspective, possible unreliability. Nick Carraway (The Great Gatsby), Scout (To Kill a Mockingbird)
  • Victim – Will often meet their demise or need to be ‘saved’ as part of the plot. Georgie (IT), Princess Peach (Mario)
  • Anti-Hero – Not your conventional hero and don’t necessarily do things the right way but the readers/audience will often root for them. Deadpool, Jay Gatsby (The Great Gatsby)
  • Innocent – Sometimes a child or someone who is naive and sees the Earth through rose-tinted glasses. Dory (Finding Nemo/Dory), Buddy (ELF)
  • Caregiver – A very nurturing and often protective character, can often be a family member of the main character. Molly Weasley (Harry Potter), Mary Poppins
  • Jester – Character who offers a comedic element to the plot, also often called the fool or joker. Bottom (A Midsummer Night’s Dream), Fred and George Weasley (Harry Potter)
  • Ruler – Someone of authority and will often lead and give out orders to groups of people. King Lear, Mufasa/Scar (The Lion King)

As Aristotle said, I do believe that character is an extremely element to any good story and it’s definitely true that there are many archetypes that can be recognised in various stories. However, whilst these examples may seem like stereotypes they can actually fit into multiple archetypes due to them being so complex.

Part 2

The Hero’s Journey

The Hero’s Journey is a well-known template for a narrative arc, consisting of 12 stages. These were identified by Christopher Vogler, based on recurring patterns and elements. Here are the stages of The Hero’s Journey:

Act I (Beginning = the hero’s story to act)

– Ordinary World

– Call to Adventure

– Refusal of the Call

– Meeting with the Mentor

– Crossing the First Threshold

Act II (Middle = the action)

– Tests, Allies, Enemies

– Approach to the Inmost Cave

– Ordeal

– Reward

Act III (End – the consequences of action)

– The Road Back

– Ressurection

– Return with the Elixir

After reading the example in the course material (Harry Potter and the Philosopher’s Stone, JK Rowling, 1997) I felt like I definitely understood the stages better. I then attempted to map ‘The Wizard of Oz’ movie, 1939, (based on the 1990 novel by L. Frank Baum) against the template since it’s a story I know well.

Act I

  • Ordinary World – Begins with the hero (Dorothy Gale) living a standard, routine and fairly mundane life in Kansas with her Aunt and Uncle.
  • Call to Adventure – The more obvious call is the tornado, there is also an emotion-driven call in the form of Dorothy running away from Miss Gulch to save her dog, Toto.
  • Refusal of Call – The novelty of running aways wears off fairly quickly and Dorothy tries to return home when she realises Aunt Em and Uncle Henry do care about her. The tornado has something to say about this and an adventure begins for her nonetheless.
  • Meeting with the Mentor – After being whisked away, Dorothy is visited by Glinda (The Good Witch of the North) who offers her guidance. She also gives her the Ruby Slippers, a gift of great significance to her adventure.
  • Crossing the Threshold – This stage is pretty in your face as there is a whole musical number in which Dorothy is sent on her journey to follow the yellow brick road by the Munchkins.

Act II

  • Tests, Allies, Enemies – Even from the beginning, Dorothy has Toto with her but she also picks up additional allies along the way (The Scarecrow, Tin Man and Cowardly Lion). There is one main enemy for them (The Wicked Witch of the West) and most of the tests involve her trying to stop them. Some of them are designed to test their own skills and teamwork, however, some require the help of the good witches, like the Poppy field scene.
  • Approach to the Inmost Cave – After receiving the biggest test from the Wizard (to kill the Wicked Witch) they begin their journey to her castle, through the haunted forest.
  • Ordeal – They face many ordeals, the first being Dorothy getting captured. The Witch then turns the hourglass, giving her little time to live and even when her friends free her, they get locked in. Eventually, they manage to defeat the witch by melting her with water.
  • Reward – The victory of defeating the witch and her broomstick as a token of their success is the obvious reward. Although, they’re more pleased about the knowledge they can finally return and ask the Wizard for what they wanted all along.

Act III

  • The Road Back – They visit the Wizard and are given tokens to symbolise the things they had all along (a brain for the Scarecrow, heart for the Tin Man and courage for the Cowardly Lion). They then try to find a way for Dorothy to return home and eventually the Ruby Slippers help grant her wish
  • Resurrection – Dorothy leaves Oz and wakes up back in Kansas, now with a new love and affection for her life and family in Kansas.
  • Return with the Elixir – Although it was a dream, she returns with an experience of a lifetime, more confidence and the knowledge that there is no place like home. Also, although it’s not mentioned we can assume that Toto will also remain safe from Miss Gulch as the defeat of the Witch is hopefully parallel to this.
Notes · Part 2 · Research & Reflection

Aristotle’s elements

Aristotle’s six elements determine the quality of a play and the first four are important for the makings of any story.

In order the elements are:

  • Plot
  • Character
  • Thought (theme)
  • Diction (expression of meaning)
  • Song
  • Spectacle

Looking at the first four alone, I had a think about how these elements would apply to The Great Gatsby by F. Scott Fitzgerald. Here are some notes I wrote in regards to each one.

Plot – Gatsby’s desire to win back Daisy and ultimately his tragic downfall (main plot), 1920s America – lavish parties, difference between social classes.

Character – Multiple main characters which can be described as both protagonists and antagonists, narrator is also a central character.

Thought/Theme – Life during roaring twenties, The American Dream, romance, wealth, class, society, tragedy.

Diction/Expression of Meaning – Reflects 1920s era, narrator very expressive towards Gatsby (bias/unreliable) – author wants you to like him, main antagonist has a rude/angry diction – not supposed to like him.

All four elements are important but I’d say the most vital are the characters and theme since these drive the plot. Also they allow you to really visualise the roaring twenties and society issues, based on the authors experiences.